Action, Adventure, and Logarithmic Curve of Cauliflower

The owner of S. Parks Computers, Stan, and his brother Xul think they've got a really good idea this time. Stan told me that they'd learned from their attempt to interest Baum Media Productions in "Dino Side Story." First, he told me, musicals probably wouldn't enjoy a revival any time soon. Second, he thinks they have a better chance, working with an existing series of stories.

They've gotten the comic book rights to Galaxy Cadet, heroine of Baum's animated films.



They're taking Galaxy Cadet out of the academy, and promoting her to ensign: a logical choice, considering the remarkably long time that she's been a cadet. How, or whether, they'll call their comics "Galaxy Cadet," when the central character has moved on wasn't clear to me.

What I'm even less certain of is how Xul Parks will fare as a cartoonist. There's no question that he's talented: a gifted artist. But an action-adventure comic is: well, it's not even close to anything I've seen him do.

Stan explained that he and Xul would be collaborating on the artwork, since Stan has worked on the two most recent Galaxy Cadet films. They plan, I'm told, to have Xul provide much of the inspiration for story lines and new characters.

That should be quite interesting. Xul says he developed his style partly by studying the Mike Wallace interview of the late Salvador Dali. And Dali's artwork, like "The Persistence of Memory."

I think Stan and Xul's Galaxy Cadet comic will be memorable.

Loonfoot Falls Community Theater: Recycling Keeps Them in the Green

I caught Flora Ellert, Loonfoot Falls Community Theater's Dramatics Director, in a talkative mood this week. LFCT has been working on this summer's show: something called "Magic: A Fantastic Comedy."

That play wasn't what we talked about, though. I'd mentioned that the LFCT hadn't done a musical since "Doctor Jekyll, Please Don't Hyde!" in 2004.

Flora Ellert didn't say what that musical's royalties were, but I learned that stage musicals can cost between $250 and $500 for each performance - just for the right to use a script and music. Comedies and dramas, she told me, run around $65 for opening night and $35 a show after that. Then there's the matter of paying for each copy of the script, or a fee for the right to make photocopies.

"Sure: It's fun; it's art. It's business, too, sort of," she explained. Loonfoot Falls Community Theater is a non-profit outfit, with everybody volunteering their time. But, she pointed out, besides the royalties there's rental for the rehearsal and performance space, and generally some expense for sets, props, and costumes.

"We save quite a bit on our sets. Einar Johnson's something of a genius when it comes to re-using materials each year," Flora explained. Einar created Dr. Jekyll's laboratory out of pieces of sets for a Victorian sitting room, an apartment's kitchen, and PVC pipe that's been ship's rigging, trees in Sherwood Forest, a telescope and lamp posts.

Frances Robinson applies the same recycling principles to the theater's costumes. But that's another topic.

Whatever Happened to "Buck and Becky in Burbank?"

His high school nickname was "Video Vern," for the overgrown camcorder he often carried to school. By the time he graduated, in 1987, he'd written and directed the first television drama made by Loonfoot Falls High School students.

Vernon Pederson left Loonfoot Falls after graduating, headed for Los Angeles, and spent the next few years hopping from job to job. His parents weren't too happy about that: He'd been expected to go into the family construction business, like a sensible young man.

Then, in 1991, "Video Vern" ran an ad in this paper, announcing the premier of " ‘Buck and Becky in Burbank:' a series about a small town couple in the big city." He'd written the first episode.

"Buck and Becky" wasn't the most popular show on television that year, even in Loonfoot Falls. Remember: "Friends" and "ER" were running then. Still, it enjoyed good ratings.

Maybe too good. "Video Vern" was the show's director a few months later, when a reviewer called "Buck and Becky" "a 'Beverly Hillbillies' for the Nineties." That's when a senior studio vice presidents started taking a personal interest in the series. He had ideas that had never occurred to Vern.

Becky became a high-powered corporate lawyer on rollerblades, and Buck joined a tough-but-compassionate biker gang. Ratings for "Buck and Becky in Burbank" fell out of the sky and sank without a trace, somewhere off Santa Monica.

Vern's doing okay these days. He's back in Loonfoot Falls, managing Lakes Area Data Services' public-access programming.

"Robin Hood: Ninja of Sherwood"

The Loonfoot Falls Community Theater's production last week of "Robin Hood: Ninja of Sherwood" wasn't the usual Sherwood Forest story. Instead of Lincoln Green, Robin Hood's merry men were garbed in what we're told is Sherwood black.

The curtain opened with Sir Guy of Gisbourne proposes marriage to Maid Marian, clearly to get control of her considerable wealth. When she refuses, he inexplicably grabs a ball from a table and runs from the room.

Maid Marian ends the scene with, "You have dishonored my family! You will pay!"

We meet Robin Hood in the second act. He's a shepherd who went with one of Marian's knight's to a Crusade. The knight also brought back Tuk, a refugee of some sort, who's getting as far west as he can.

Maid Marian recruits Robin Hood and Tuk to harass Sir Guy. They prove to be quite good at it. Tuk has been teaching Robin Hood some very un-English things to do with his quarterstaff and feet.

When Robin Hood isn't redistributing Sir Guy's wealth, he and Maid Marian are driving Sir Guy to distraction with the idea that she prefers a shepherd's attentions to his.

A spectacular moment in the play was unrehearsed. Robin Hood's quarterstaff got away from him in the third act. It flew straight and true toward Maid Marian, played by Sonja Branstetter, whose Soo Bahk Do training let her catch it with a flourish.

"Robin Hood: Ninja of Sherwood" won't be forgotten by Loonfoot Falls any time soon.

Loonfoot Falls Community Theater Prepares Unique Robin Hood

Turnabout is fair play: at least, it is at Loonfoot Falls Community Theater. Last year's production, "Little Women," didn't have many roles for men in the community.

Finding a suitable play to even the score wasn't as easy as you might think. Van Epps' adaptation of "Moby Dick" was suggested, and considered, until the LFCT board noted that this "Moby Dick" was a musical, set in an academy for young ladies.

"Mutiny on the Bounty" was rejected because there weren't enough funny lines in any of the available stage adaptations. "I think we could have re-written some of the scenes as comedy relief," said Flora Ellert, LFCT Dramatics Director.

They finally settled on an adaptation of "Robin Hood" that had quite a few male roles, with a range of ages from pre-teens to men in their fifties.

"It'll be a lot of fun: comedy, drama, cunning, and derring-do," said Ellert. "It's sort of like the Errol Flynn 'Robin Hood,' except the guys won't be wearing tights."

Possibly the most unusual aspect of the Loonfoot Falls "Robin Hood" will be that this Outlaw of Sherwood Forest won't use a bow and arrow. "That was understood from the start. We don't want a repeat of that William Tell thing," Ellert said, recalling a near-miss on stage, back in 1997.

"So, we decided that our Robin Hood had been in the Crusades," Ellert continued, "where he met a fugitive from Japan, and became a ninja. I don't think anyone's thought of that before."